ClarinetFest® Archives

Past ClarinetFest® Presentations

Reading Between the (Ledger) Lines – Robert Adelson, ClarinetFest® 1998
Gustav Jenner’s Sonata in G Major, op. 5: Connections and Divergences with Brahms’ Sonatas, op. 120 – Elizabeth Aleksander, D.M.A., ClarinetFest® 2010
Practice and Performance Related Injuries: Preventing and Treating Injuries Through Smart Practice Techniques – Dr. Sonia Archer-Capuzzo, ClarinetFest® 2008
A Mutual Influence: Solo and Chamber Works for Clarinet by Students of Paul Hindemith – Laura Armstrong, ClarinetFest® 2011
Benny Goodman Influences Classical Composition (Abstract) – Adam Baliff, ClarinetFest® 2002
An Important Addition to the Performing Clarinet Repertoire: The Reconstruction of Jean Sibelius’s Lost Septet for Flute, Clarinet, and Strings (Abstract) – Gregory Barrett, ClarinetFest® 2002
Same Proportions! Same Story!: Buster Keatons Film Steamboat Bill, Jr. and Magnus Lindbergs Duo for Clarinet and Cello Steamboat Bill Junior – Gregory Barrett, ClarinetFest® 1999
The Musical World of Aage Oxenvad – Gregory Barrett, ClarinetFest® 2009
A Study of Klezmer Performance Practice Issues in Osvaldo Golijov’s The Dreams and Prayers of Isaac the Blind for Klezmer Clarinet and String Quartet – Joan Blazich, ClarinetFest® 2010
Amand Vanderhagen and the Concept of the Clarinet Method Book – Joan Michelle Blazich, DMA , ClarinetFest® 2008
The Rise and Fall of the Bass Clarinet in A – Keith Bowen, ClarinetFest® 2010
The Clarinet in Rhapsody in Blue – Thomas Brooks, ClarinetFest® 1997
Anton Eberls Clarinet Chamber Works – Janice Brown, ClarinetFest® 1998
Reed Science: A Summary of Current Empirical and Theoretical Progress – Donald Casadonte, ClarinetFest® 1998
An Annotated Bibliography of Doctoral Dissertations Concerning the Clarinet – Lynn A. Cholka, ClarinetFest® 1994
Carl Baermanns Method for Clarinet: Applications for Todays Clarinetist – John Cipolla, ClarinetFest® 1998
Historical Perspectives of Excellence for Clarinetists – John Cipolla, ClarinetFest® 1999
How to Improvise Jazz on the Clarinet – John Cipolla, ClarinetFest® 2000
Linear Aspects of Harmony in New Orleans Clarinetists Sidney Bechet’s Countermelodies (Abstract) – John Cipolla, ClarinetFest® 2003
Chalumeau and Soprano: Antonio Caldara’s Morte, Sepoltura di Cristo – Elizabeth Crawford, ClarinetFest® 2009
Database On Clarinet Instruction at Colleges and Universities in the United States – Michael Dean, ClarinetFest® 1997
Metric Displacement in the Quintet op. 115 and the Trio op. 114 of Johannes Brahms: An Analysis for Performance – Christian Ellenwood, ClarinetFest® 1998
English Clarinet Music, 1800-1870: Reclaiming a Repertory – Jane Ellsworth, ClarinetFest® 1999
The Clarinet in Early America: Some Preliminary Findings – Jane Ellsworth, ClarinetFest® 2003
Julián Menéndez Rediscovered: Works for Clarinet – Oskar Espina-Ruiz , ClarinetFest® 1999
The Anatomy of the Clarinet – Stephen Fox, ClarinetFest® 2009
The Bore of the Clarinet – Stephen Fox, ClarinetFest® 1998
New findings concerning clarinets from the Denner workshop in Nuremberg – Heike Fricke, ClarinetFest® 2011
Current Trends in Treating the Palatal Air Leak (Stress Velopharyngeal Insufficiency) – Dr. Chris Gibson, ClarinetFest® 2007
Forgotten Gems: Solo Clarinet Music of Carl Baermann – Dr. Chris Gibson, ClarinetFest® 2006
Unlocking the Secrets of William O. Smith’s Five Pieces for Clarinet Alone: Analyzing 12-tone Music – Dr. Chris Gibson, ClarinetFest® 2000
Braving Stage Fright— Using the Right Brain to Combat Performance Anxiety – Michele Gingras, ClarinetFest® 2008
Debussy for clarinet solo: The music and the Conservatoire context – John Graulty, ClarinetFest® 2001
Re-discovering Castelnuovo-Tedesco’s Pastorale and Rondo for Clarinet, Violin, Cello and PIano op. 185 – Dr. Nicolas del Grazia , ClarinetFest® 2004
Zemlinsky’s Unfinished Final Masterpiece: The Quartet for Clarinet, Violin, Viola and Cello – Dr. Nicolas del Grazia, ClarinetFest® 2006
The Legacy of Daniel Bonade (Abstract) – Larry Guy, ClarinetFest® 2002
Jazz for the ‘Legit’ Player (Abstract) – Neal Haiduck, ClarinetFest® 2002
Frederick Zech and the First American Clarinet Sonata – Patrick Hanudel, ClarinetFest® 2010
Music for Clarinet and Guitar (Abstract) – Todd Hearn, ClarinetFest® 2002
Brazilian Choro: New Programming Possibilities and an Alternative Approach to Improvisation for Clarinetists – Dr. Crystal Hearne Reinoso, ClarinetFest® 2004
Clarinet Obbligato as Dramatic Persona in Mozart’s La Clemenza Di Tito – Mark Hollingsworth, ClarinetFest® 1998
Parody and the E-flat Clarinet in Hindemith’s Quintette für Klarinette und Streichquartett, op. 30 – Lesley Hughes, ClarinetFest® 2010
Arthur Benade’s NX Clarinet – George Jameson, ClarinetFest® 1995
Clarinet and Saxophone Transcriptions – Lisa Johnson , ClarinetFest®
A Tribute to Rudolph Jettel – Mary Kantor, ClarinetFest® 1998
The extraordinary life of the Sonata for Clarinet and Piano (1962) by Francis Poulenc – David Kirby, ClarinetFest® 2011
Comparing Published Editions of Mozart’s Clarinet Concerto, K. 622 – Keith Koons, ClarinetFest® 1998
The Clarinet as a Defining Instrument of Turkish Popular Culture: Its History, an Exemplification of its Practice by Serkan Çağri, and a Single Case Study – Boja Kragulj, ClarinetFest® 2011
The Clarinet Soloists of the Sousa Band: 1892-1929 – Jesse Krebs, ClarinetFest® 2006
A New Material for Woodwind Reeds – Guy Légère, ClarinetFest® 1998
Lecture-Recital: “An Analysis of Elliott Carter’s Gra” – Kenneth Long, ClarinetFest® 2009
Overuse Syndrome – Christine MacDonnell, ClarinetFest® 2001
Klezmer and the Klarinette – Larry Maxey, ClarinetFest® 2000
The Effect of the Breath Builder™ on Various Lung Functions and Musical Performance Abilities of Clarinet Players- A Pilot Study – Mazon, ClarinetFest® 2010
Annotated Survey of Original Clarinet Concertos with Band by American Composers: The Finest Works of the Past Twenty Years (1978-1996) – David McClune, ClarinetFest® 1997
A Quantitative Analysis to Demystify Clarinet Reed Design – Blake McGee, ClarinetFest® 2009
Miguel Yuste: His Works for Clarinet and His Influence on the Spanish Clarinet School of Playing in the Twentieth Century – Malena McLaren, ClarinetFest® 2007
The Cultivation of Reed Cane (Arundo donax L.) in South Australia and Its Anatomical Assessment for the Manufacture of Clarinet Reeds – Alan Mills, ClarinetFest® 1997
Abstract For Lecture Recital: Conflict And Meaning In Carl Nielsen’s Concerto For Clarinet And Orchestra, Opus 57 (1928) – Douglas Monroe, ClarinetFest® 2008
Heinrich Baermann: His Influence as Seen Through his Collaborations with Weber, Meyerbeer, and Mendelssohn – Madelyn Moore, ClarinetFest® 2006
The Life and Works of Anton Kubizek – Sarah Nowlin, ClarinetFest® 1998
The Anatomy and Physiology of the Respiratory Process as Applied to Wind Instrument Players and Singers – Diogo Pais, M.D., ClarinetFest® 1998
Delicacy, sentimentality and intimacy: the chalumeau as ‘signifier’ – Ingrid E. Pearson, ClarinetFest® 1998
The Forgotten Swedish Master: Franz Berwald’s Contribution to the Clarinet Repertoire – Hild Peersen , ClarinetFest® 2004
Establishing a Motive – Dr. James E. Perone, ClarinetFest® 2001
18th Century Sonatas for the 21st Century: Performing Periers Recueil des Sonates – Timothy Perry, ClarinetFest® 1999
The Longing Voice: Schubert’s Der Hirt auf dem Felsen – Timothy S. Phillips, ClarinetFest® 2004
British Clarinet and Piano Music from 1880 to 1945: An Evaluation of Performance Practice Characteristics– Spencer Pitfield , ClarinetFest® 2001
British Sonatas by Hadow, Bell, Linstead and Fiske: Rediscovering a Forgotten Repertory – Spencer Pitfield , ClarinetFest® 2000
The Victorian Clarinetist: A Development from Bandsman to Creative Artist – Spencer Pitfield , ClarinetFest® 1999
What Stadlers Basset Clarinet Looked Like and the First Documented Performance of the Mozart Clarinet Concerto: Discoveries in Riga – Pamela L. Poulin, ClarinetFest® 1995
The Exploration of Timbre as a Compositional Device in Oliver Messiaen’s Abime Des Oiseaux from The Quartet for the End of Time – Dr. Tamara Raatz , ClarinetFest® 2004
Clarinet Parts in French Amateur Wind Ensembles Throughout the Nineteenth Century: Expectancies and Practical Applications – Jean-Yves Rauline, ClarinetFest® 2007
A Tribute to Rosario Mazzeo – Deborah Check Reeves, ClarinetFest® 1998
Eugene Albert and the Albert System – Deborah Check Reeves, ClarinetFest® 1999
The Development of the Clarinet as Illustrated by the Clarinets at The Shrine to Music Museum – Deborah Check Reeves, ClarinetFest® 1997
The Haynes (Powell?) Thermos Clarinet (Abstract) – Deborah Check Reeves, ClarinetFest® 2003
New Japanese Music for Clarinet Solo, Clarinet/Piano, and Clarinet/Orchestra: A Confluence of Tradition and Innovation – E. Michael Richards, ClarinetFest® 1994
The Clarinet Music of Akira Nishimura: Hidden Orders of Tradition Meet the New Clarinet – E. Michael Richards, ClarinetFest® 2004
Developing and Anatomically Sound Hand Position for Clarinet Playing – Sheri Rolf, MD, ClarinetFest® 2011
Lessons from Research in Motor Learning on Playing and Teaching the Clarinet – Roseanne K. Rosenthal VanderCook, ClarinetFest® 2008
A Belgian in America: An Illustrated Presentation on the Life and Career of Clarinetist Gustave Langenus – David Ross, ClarinetFest® 1999
Clarinet, Chalumeau, and Wildrufe: Some Thoughts on the Invention of the Clarinet – David Ross, ClarinetFest® 1994
The Clarinet in Bulgarian Wedding Music: An Introduction (Abstract) – Michael Rowlett, ClarinetFest® 2003
The Clarinet in Greece Colours in Double – Kiriakos Sfetsas, ClarinetFest® 2010
Cavallini years in Brazil: Which One? – Fernando Silveira, ClarinetFest® 2009
Clarinet and Cross-Cultural Trends in Contemporary Music: From the East – Max Stern, ClarinetFest® 1999
The Mozart Clarinet Concerto – George Stoffan , ClarinetFest®
The Philadelphia School of Clarinet Playing: Its Origins, Philosophy, Methodology, and Influence – Shannon Thompson, ClarinetFest® 1997
Ignaz Joseph Pleyel: His Contributions to Clarinet Literature (Abstract) – Michael Thrasher, ClarinetFest® 2002
The Clarinetist-Composers of Nineteenth-Century Italy: An Examination of Style, Repertoire and Pedagogy – Michael Thrasher, ClarinetFest® 2006
The Use of the Clarinet in Selected Viennese Operas 1786-1791: Mozarts Operas Reconsidered – Michael Thrasher, ClarinetFest® 1998
Understanding the Clarinet’s Role in the Hungarian Verbunkos: Leó Weiner’s Peregi Verbunk with a dash of Paprika – Jessica Vansteenburg, ClarinetFest® 2010
Taking the Voodoo Out of Reedmaking – Charles West, ClarinetFest® 1998
Interactive Music for Clarinet and Computer: Performance Practice Problems and Solutions – Rachel Yoder, ClarinetFest® 2011