EDDY VANOOSTHUYSE
Eddy Vanoosthuyse is the former principal clarinet of the Brussels Philharmonic and is clarinet professor at the Royal Conservatory Ghent/Belgium and the Fontys Academy of the Arts Tilburg/Netherlands. He has been a soloist with numerous orchestras including the Shanghai Symphony, Chamber Orchestra of Philadelphia, Simon Bolivar Orchestras, Brussels Philharmonic, Lithuanian Chamber Orchestra, Pommerigi Musicali Milano, and the Zemlinsky, Beijing and Chili string quartets. He has recorded for Sony, EMI, Decca, Brilliant Classic, Antarctica, Aeon, Gobelin, Aliud, Etcetera, and Phaedra. He works with renowned composers of our day including Olivier Messiaen, Arturo Márquez, Oscar Navarro, Scott McAllister, Jan Van der Roost ,and Oscar winners Nicola Piovani, John Corigliano and Hans Zimmer. He was selected for the World Philharmonic (George Prêtre). An avid pedagogue, Vanoosthuyse has taught in five continents. In addition to his active artistic career, Vanoosthuyse is known as a passionate organizer of national and international projects; he is the artistic director of the International Clarinet Competition Ghent and was the artistic director of ClarinetFest® 2018 in Ostend, Belgium, and the 2023 European Clarinet Congress in Tilburg. He is the jury president of the International Arts Competition in Singapore. Vanoosthuyse is an ICA Honorary Member and currently serves as the ICA international vice president.
STATEMENT
I am honored to be a candidate for ICA president-elect. As the current IVP, I have worked passionately to strengthen relations between many countries and cultures, creating connections to successfully increase our membership. I believe that an essential mission of the ICA is to provide students of all levels, young and long-standing colleagues, orchestral players, soloists, professors, and clarinet enthusiasts, as many opportunities as possible to flourish in today’s world where communication is becoming increasingly easy, and the artistic level is constantly developing. I would strive to bring the clarinet world closer and eliminate any barriers for those who wish to become a part of the organization. I would help grow the ICA through respecting the past and creating new projects for the future such as international fundraising, ensuring fiscal success, and creating pedagogy and performance exchanges between performers, pedagogues, and students worldwide. I would be dedicated to working with the board and clarinet industry to listen to members’ current wants and desires. I believe that the ICA is an organization that is open to all who are passionate about the clarinet, with no limitations upon age, race, gender, or ethnicity. It would indeed be a privilege to serve as your next ICA president-elect.